| Data Sheet | Click here |
| Input Mixing Capacity | 32 mono + 8 stereo |
| Mix Buses | 16 |
| Matrices | 8 (Input to Matrix supported) |
| Stereo Bus |
1 |
| Mono Bus | 1 |
| Cue | 1 |
| Analog Inputs |
16 |
| Analog Outputs | 8 |
| MY Slots |
2 |
| Dante I/O | Primary / Secondary |
| Digital Out |
1 (AES/EBU) |
| GPI | 5 in / 5 out |
| Word Clock I/O |
Yes |
| MIDI I/O | In / Out |
| Meter Bridge |
No |
| Ethernet | Yes |
| AC Inlet |
V-Lock Type |
| Scene Memory | |
|---|---|
| Number of Scenes |
300 |
| Recall Safe | Yes |
| Focus Recall |
Yes |
| Fade Time | Yes (0s ~ 60s) |
| Preview | Yes |
| Selective Load / Save | Yes |
| Tactile Control Keys | Yes |
| Input Channel Functions |
|
| Gain Compensation |
Yes |
| Digital Gain | Yes (-96dB ~ +24dB) |
| ATT | -96dB ~ 0dB |
| HPF | 20Hz ~ 600Hz, -6 or -12dB/oct Selectable |
| PEQ | 4 Band Full PEQ |
| Dynamics 1 |
Gate / Ducking / Compressor / Expander |
| Dynamics 2 |
Compressor / Compander-H / Compander-S / De-esser |
| Input Delay |
Yes (0ms ~ 1000ms |
| Pan | CENTER NOMINAL or LR NOMINAL for monaural input channels in CL V3.1 or later L-MONO, R-MONO or LR-MONO for stereo input channels in QL V3.1 or later |
| DCA Group |
16 |
| MUTE Group | 8 |
| Number of Inserts |
2 |
| Direct Out | Yes |
| Output Channel Functions | |
| PEQ | 4 Band Full PEQ |
| Dynamics 1 | Compressor / Expander / Compander-H / Compander-S |
| MUTE Group |
8 |
| Number of Inserts | 2 |
| Premium Rack |
|
| Number of Premium Racks | 8 |
| Mountable Device |
RND Portico5033 / RND Portico5043 / U76 / Opt-2A / EQ-1A / Dynamic EQ / Buss Comp 369 |
| Effect Rack | |
| Number of Effect Racks |
8 |
| Number of Effect Programs | 54 |
| Mountable Device | Effect / 31BandGEQ / Flex15GEQ / 8Band PEQ |
| GEQ Rack | |
| Number of GEQ Racks |
8 |
| Mountable Device | 31BandGEQ / Flex15GEQ / Dugan Automixer (QL V3.0 or later) / 8Band PEQ (QL V3.0 or later) (RTA overlay support in QL V3.0 or later, GEQ gain control from the TOUCH AND TURN knob in QL V4.0 or later) |
| Dante | |
| Number of I/O Channels |
64 in / 64 out |
| Dante Patch from Console |
Yes |
| Recording | |
| USB Memory Recording |
Yes |
| DVS Recording | Yes (DVS and Nuendo Live bundled) |
| Broadcast Functions | |
| 5.1 Surround Panning |
Yes (QL V3.0 or later) |
| Surround Monitor |
Yes (QL V3.0 or later) |
| Mix Minus | Yes (QL V2.0 or later) |
| L-Mono / R-Mono / LR-Mono | Yes (QL V3.0 or later) |
| Monitor | |
| Solo Mode | Yes (QL V4.0 or later) |
| Second Cue Bus (allows the MATRIX 7/8 to be used as a CUE B bus) |
Yes (QL V4.0 or later) |
| Oscillator | Sine Wave 1ch / Sine Wave 2ch (QL V3.0 or later) / Pink Noise / Burst Noise |
| Other Functions |
|
| RTA | Yes (QL V3.0 or later) |
| Output Port Delay |
Yes (0ms ~ 1000ms, frame delay support in QL V3.0) |
| Cascade | Yes (via MY slots) |
| User Level |
Yes |
| Help File | Yes (QL V1.51 or later) |
| Channel Link | Yes (Output Channel Link support in QL V3.0 or later) |
| Channel Copy/Move |
Yes |
| Control & Monitoring for Digital Wireless Receivers |
Shure ULXD4D/ULXD4Q (QL V4.0 or later) |
| User Interface | |
| Display | 10 inch Touch Panel |
| Centralogic Section | Yes |
| Faders | 16 + 8 + 8 + 2 |
| Selected Channel Encoders |
Gain, HPF, PEQ (controls for 4 bands), Dynamics 1/2(Threshold only), Pan, Mix/Matrix Sends |
| Channel Encoder |
Yes (for Gain, Send Level, or an assigned parameter) |
| Channel Name / Color Display |
Yes |
| Custom Fader Banks |
Yes (customized for each fader section) |
| User Defined Keys |
12 (x 4 banks in CL V3.0 or later) |
| User Defined Knobs |
4 |
| Touch and Turn Knob | Yes (using a User Defined Knob) |
| Monitor Level Knob | Yes |
| Wooden Arm Rest | No |
| iPad Stay |
Yes |
| Software | |
| Editor | CL Editor (Win/Mac, CSV files import/export in CL Editor V4.0.0 or later) |
| StageMix | CL StageMix (iPad app) |
| MonitorMix | Yes (QL V4.00 or later) |
| Console File Converter | Yes (Win/Mac) |
| General specifications | |
| Sampling frequency rate Internal |
44.1kHz / 48kHz |
| Sampling frequency rate External |
44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm) |
| Signal delay |
Less than 2.5ms, OMNI IN to OMNI OUT, Fs=48kHz |
| Total harmonic distortion |
Less than 0.05% 20Hz-20kHz@+4dBu into 600Ω, OMNI IN to OMNI OUT, Input Gain = Min. |
| Frequency response |
+0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, OMNI IN to OMNI OUT |
| Dynamic range | 112dB typ.: DA Converter / 108dB typ.: OMNI IN to OMNI OUT, Input Gain = Min. |
| Hum & noise level Equivalent input noise |
-128dBu typ., Equivalent Input Noise, Input Gain=Max. |
| Hum & noise level Residual output noise |
-88dBu, Residual output noise, ST master off |
| Crosstalk | -100dB*1, adjacent OMNI IN/OMNI OUT channels, Input Gain = Min. |
| Power requirements |
110-240V 50/60Hz |
| Power consumption |
170W: Internal Power Supply / 200W: Simultaneous use of Internal PSU and External PW800W |
| Dimensions | 468mm(18.4in ) x Height 272mm(10.7in) x Depth 562mm(22.1in) |
| Net Weight |
14.7kg(32.4lb) |
| Other | Temperature Range: Operating temperature range: 0 – 40℃, Storage temperature range: -20 – 60℃ |
Yamaha QL1 Digital Mixing Console
Core features and performance inherited directly from the Yamaha CL series, including natural sound supported by sonically superb internal processing capabilities, operation that easily adapts to the demands of just about any working environment, and built-in Dante networking that facilitates flexible system configuration, have now been condensed and concentrated into the compact Yamaha QL series digital mixing consoles. QL series consoles offer all-in-one mixing, processing, and routing capability for small to medium scale live sound, corporate speech events, installations, and much more.
Revolutionary Dan Dugan Automatic Mixer Built In
Thanks to in-depth collaboration with Dan Dugan Sound Design, renowned Dan Dugan automatic microphone mixing with its advanced algorithms is built into the QL series consoles. Setup is easy: just insert the processor into up to 16 channels for automatically optimized microphone gain distribution. Gain control is smooth and natural, as though experienced human operators were doing the mix. The system also effectively reduces feedback and comb filter issues. For speech applications, especially non-scripted situations, this allows the operator to concentrate on details other than fader operation for consistently high-quality mixes.
Expandable All-in-One Support for Any Application
In addition to ample analog input and output capacity, QL series consoles feature the same Dante audio networking protocol that provides broad connectivity in the CL consoles. There’s also an innovative “Port to Port” feature that can patch any input port to any output port so the QL console can function as a remote I/O device for any other QL or CL series console, for example. Other flexibility enhancing features such as 2-track and multitrack recording capability, and dual MY expansion slots that allow processing capability or I/O to be added as required, make the QL consoles suitable for use as central components in an extensive variety of sound applications.













