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Yamaha CL5 Digital Mixer

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Through thorough analysis, review, and refinement of every detail of the circuitry and technology used, Yamaha CL series consoles deliver naturally superior sound plus a comprehensive range of “coloring” options that give the sonic craftsmen who will use them extraordinary creative freedom. The signal processors provided are plentiful and of the highest quality, including extraordinary Portico 5033/5043 EQ and compressor devices that bring Yamaha VCM technology together with the legendary talents of Rupert Neve. The platform is pure and natural, so the engineer can create and deliver the ideal sound.

Revolutionary Dan Dugan Automatic Mixer Built In

Thanks to in-depth collaboration with Dan Dugan Sound Design, renowned Dan Dugan automatic microphone mixing with its advanced algorithms is built into the CL series consoles. Setup is easy: just insert the processor into up to 16 channels for automatically optimized microphone gain distribution. Gain control is smooth and natural, as though experienced human operators were doing the mix. The system also effectively reduces feedback and comb filter issues. For speech applications, especially non-scripted situations, this allows the operator to concentrate on details other than fader operation for consistently high-quality mixes.

Centralogic at the Heart of an Evolved Interface

Yamaha’s Centralogic user interface has already proven its value as the most user-friendly digital operating environment available, even for engineers who were previously only comfortable with analog consoles. Founded solidly on Centralogic roots, the CL series takes intuitive, efficient operation to an even higher level, offering an operating experience that engineers will not only feel immediately familiar with, but will be able to grow with into the future.

Features

With a three-section fader layout for efficient hands-on control, the CL5 is the ideal choice for a diverse spectrum of live sound systems.

  • Input channels: 72 mono, 8 stereo.
  • Fader configuration: 16-fader left section, 8-fader Centralogic section, 8-fader right section, 2-fader master section .
  • Stainless steel stay for iPad support.
  • Built-in meter bridge.
Data sheet Click here
Input Mixing Capacity 72 mono + 8 stereo
Mix Buses 24
Matrices 8 (Input to Matrix supported)
Stereo Bus 1
Mono Bus 1
Cue 1
Analog Inputs 8
Analog Outputs 8
MY Slots 3
Dante I/O Primary / Secondary
Digital Out 1 (AES/EBU)
GPI 5 in / 5 out (CL V1.11 or later)
Word Clock I/O 5 in / 5 out (CL V1.11 or later)
MIDI I/O In / Out
Meter Bridge Output meter built-in
Ethernet Yes
AC Inlet V-Lock Type
Scene Memory
Number of Scenes 300
Recall Safe Yes
Focus Recall Yes
Fade Time Yes (0s ~ 60s)
Preview Yes (CL V1.51 or later)
Selective Load / Save Yes (CL V1.7 or later)
Tactile Control Keys Yes
Input Channel Functions
Gain Compensation Yes
Digital Gain Yes (-96dB ~ +24dB)
ATT -96dB ~ 0dB
HPF 20Hz ~ 600Hz, -6 or -12dB/oct Selectable (CL V1.51 or later)
PEQ 4 Band Full PEQ (RTA overlay support in CL V3.0 or later, New EQ Algorithms support in CL V4.0 or later)
Dynamics 1 Gate / Ducking / Compressor / Expander (Key-in Filter on the Compressor and Expander in CL V4.0 or later)
Dynamics 2 Compressor / Compander-H / Compander-S / De-esser
Input Delay Yes (0ms ~ 1000ms, frame delay support in CL V3.0 or later)
Pan CENTER NOMINAL or LR NOMINAL for monaural input channels in CL V3.1 or later L-MONO, R-MONO or LR-MONO for stereo input channels in CL V3.1 or later
DCA Group 16 (Output DCA and DCA Roll-Out support in CL V2.0 or later, Scrollable DCA Roll-Out support in CL V4.0 or later)
MUTE Group 8
Number of Inserts 2 (CL V2.0 or later)
Direct Out Yes
Output Channel Functions
PEQ 4 Band Full PEQ (RTA overlay support in CL V3.0 or later, New EQ Algorithms support in CL V4.0 or later)
Dynamics 1 Compressor / Expander / Compander-H / Compander-S
MUTE Group 8
Number of Inserts 2 (CL V2.0 or later)
Premium Rack
Number of Premium Racks 8
Mountable Device RND Portico5033 / RND Portico5043 / U76 / Opt-2A / EQ-1A / Dynamic EQ / Buss Comp 369 (CL V3.0 or later) / MBC4 (CL V4.0 or later)
Effect Rack
Number of Effect Racks 8
Number of Effect Programs 54
Mountable Device Effect / 31BandGEQ / Flex15GEQ / 8Band PEQ (CL V3.0 or later)
GEQ Rack
Number of GEQ Racks 16
Mountable Device 31BandGEQ / Flex15GEQ / Dugan Automixer (CL V3.0 or later) / 8Band PEQ (CL V3.0 or later) (RTA overlay support in CL V3.0 or later, GEQ gain control from the TOUCH AND TURN knob in CL V4.0 or later)
Dante
Number of I/O Channels 64 in / 64 out
Dante Patch from Console Yes
Recording
USB Memory Recording Yes
DVS Recording Yes (DVS and Nuendo Live bundled)
Broadcast Functions
5.1 Surround Panning Yes (CL V3.0 or later)
Surround Monitor Yes (CL V3.0 or later)
Mix Minus Yes (CL V2.0 or later)
L-Mono / R-Mono / LR-Mono Yes (CL V3.0 or later)
Monitor
Solo Mode Yes (CL V4.0 or later)
Second Cue Bus (allows the MATRIX 7/8 to be used as a CUE B bus) Yes (CL V4.0 or later)
Oscillator Sine Wave 1ch / Sine Wave 2ch (CL V3.0 or later) / Pink Noise / Burst Noise
Other Functions
RTA Yes (CL V3.0 or later)
Output Port Delay Yes (0ms ~ 1000ms, frame delay support in CL V3.0)
Cascade Yes (via MY slots)
User Level Yes
Help File Yes (CL V1.51 or later)
Channel Link Yes (Output Channel Link support in CL V3.0 or later)
Channel Copy/Move Yes
Control & Monitoring for Digital Wireless Receivers Shure ULXD4D/ULXD4Q (CL V4.0 or later)
User Interface
Display 10 inch Touch Panel
Centralogic Section Yes
Faders 16 + 8 + 8 + 2
Selected Channel Encoders Gain, HPF, PEQ (controls for 4 bands), Dynamics 1/2(Threshold only), Pan, Mix/Matrix Sends
Channel Encoder Yes (for Gain, Send Level, or an assigned parameter)
Channel Name / Color Display Yes
Custom Fader Banks Yes (customized for each fader section)
User Defined Keys 16 (x 4 banks in CL V3.0 or later)
User Defined Knobs 4
Touch and Turn Knob Yes (using a User Defined Knob)
Monitor Level Knob Yes
Wooden Arm Rest Yes
iPad Stay Yes
Software
Editor CL Editor (Win/Mac, CSV files import/export in CL Editor V4.0.0 or later)
StageMix CL StageMix (iPad app)
MonitorMix Yes (CL V4.00 or later)
Console File Converter Yes (Win/Mac)
General specifications
Sampling frequency rate Internal 44.1kHz / 48kHz
Sampling frequency rate External 44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm)
Signal delay Less than 2.5ms, OMNI IN to OMNI OUT, Fs=48kHz
Total harmonic distortion Less than 0.05% 20Hz-20kHz@+4dBu into 600Ω, OMNI IN to OMNI OUT, Input Gain = Min.
Frequency response +0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, OMNI IN to OMNI OUT
Dynamic range 112dB typ.: DA Converter / 108dB typ.: OMNI IN to OMNI OUT, Input Gain = Min.
Hum & noise level Equivalent input noise -128dBu typ., Equivalent Input Noise, Input Gain=Max.
Hum & noise level Residual output noise -88dBu, Residual output noise, ST master off
Crosstalk -100dB*1, adjacent OMNI IN/OMNI OUT channels, Input Gain = Min.
Power requirements 110-240V 50/60Hz
Power consumption 170W: Internal Power Supply / 200W: Simultaneous use of Internal PSU and External PW800W
Dimensions Width 1053mm (41 1/2in) x Height 299mm (11 3/4in) x Depth 667mm (26 1/4in)
Net Weight 36kg (79.4lb)
Other Temperature Range: Operating temperature range: 0 – 40℃, Storage temperature range: -20 – 60℃
Audio Visual Events®