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Yamaha CL5 Digital Mixer

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Through thorough analysis, review, and refinement of every detail of the circuitry and technology used, Yamaha CL series consoles deliver naturally superior sound plus a comprehensive range of “coloring” options that give the sonic craftsmen who will use them extraordinary creative freedom. The signal processors provided are plentiful and of the highest quality, including extraordinary Portico 5033/5043 EQ and compressor devices that bring Yamaha VCM technology together with the legendary talents of Rupert Neve. The platform is pure and natural, so the engineer can create and deliver the ideal sound.

Revolutionary Dan Dugan Automatic Mixer Built In

Thanks to in-depth collaboration with Dan Dugan Sound Design, renowned Dan Dugan automatic microphone mixing with its advanced algorithms is built into the CL series consoles. Setup is easy: just insert the processor into up to 16 channels for automatically optimized microphone gain distribution. Gain control is smooth and natural, as though experienced human operators were doing the mix. The system also effectively reduces feedback and comb filter issues. For speech applications, especially non-scripted situations, this allows the operator to concentrate on details other than fader operation for consistently high-quality mixes.

Centralogic at the Heart of an Evolved Interface

Yamaha’s Centralogic user interface has already proven its value as the most user-friendly digital operating environment available, even for engineers who were previously only comfortable with analog consoles. Founded solidly on Centralogic roots, the CL series takes intuitive, efficient operation to an even higher level, offering an operating experience that engineers will not only feel immediately familiar with, but will be able to grow with into the future.

Features

With a three-section fader layout for efficient hands-on control, the CL5 is the ideal choice for a diverse spectrum of live sound systems.

  • Input channels: 72 mono, 8 stereo.
  • Fader configuration: 16-fader left section, 8-fader Centralogic section, 8-fader right section, 2-fader master section .
  • Stainless steel stay for iPad support.
  • Built-in meter bridge.
Data sheetClick here
Input Mixing Capacity72 mono + 8 stereo
Mix Buses24
Matrices8 (Input to Matrix supported)
Stereo Bus1
Mono Bus1
Cue1
Analog Inputs8
Analog Outputs8
MY Slots3
Dante I/OPrimary / Secondary
Digital Out1 (AES/EBU)
GPI5 in / 5 out (CL V1.11 or later)
Word Clock I/O5 in / 5 out (CL V1.11 or later)
MIDI I/OIn / Out
Meter BridgeOutput meter built-in
EthernetYes
AC InletV-Lock Type
Scene Memory
Number of Scenes300
Recall SafeYes
Focus RecallYes
Fade TimeYes (0s ~ 60s)
PreviewYes (CL V1.51 or later)
Selective Load / SaveYes (CL V1.7 or later)
Tactile Control KeysYes
Input Channel Functions
Gain CompensationYes
Digital GainYes (-96dB ~ +24dB)
ATT-96dB ~ 0dB
HPF20Hz ~ 600Hz, -6 or -12dB/oct Selectable (CL V1.51 or later)
PEQ4 Band Full PEQ (RTA overlay support in CL V3.0 or later, New EQ Algorithms support in CL V4.0 or later)
Dynamics 1Gate / Ducking / Compressor / Expander (Key-in Filter on the Compressor and Expander in CL V4.0 or later)
Dynamics 2Compressor / Compander-H / Compander-S / De-esser
Input DelayYes (0ms ~ 1000ms, frame delay support in CL V3.0 or later)
PanCENTER NOMINAL or LR NOMINAL for monaural input channels in CL V3.1 or later L-MONO, R-MONO or LR-MONO for stereo input channels in CL V3.1 or later
DCA Group16 (Output DCA and DCA Roll-Out support in CL V2.0 or later, Scrollable DCA Roll-Out support in CL V4.0 or later)
MUTE Group8
Number of Inserts2 (CL V2.0 or later)
Direct OutYes
Output Channel Functions
PEQ4 Band Full PEQ (RTA overlay support in CL V3.0 or later, New EQ Algorithms support in CL V4.0 or later)
Dynamics 1Compressor / Expander / Compander-H / Compander-S
MUTE Group8
Number of Inserts2 (CL V2.0 or later)
Premium Rack
Number of Premium Racks8
Mountable DeviceRND Portico5033 / RND Portico5043 / U76 / Opt-2A / EQ-1A / Dynamic EQ / Buss Comp 369 (CL V3.0 or later) / MBC4 (CL V4.0 or later)
Effect Rack
Number of Effect Racks8
Number of Effect Programs54
Mountable DeviceEffect / 31BandGEQ / Flex15GEQ / 8Band PEQ (CL V3.0 or later)
GEQ Rack
Number of GEQ Racks16
Mountable Device31BandGEQ / Flex15GEQ / Dugan Automixer (CL V3.0 or later) / 8Band PEQ (CL V3.0 or later) (RTA overlay support in CL V3.0 or later, GEQ gain control from the TOUCH AND TURN knob in CL V4.0 or later)
Dante
Number of I/O Channels64 in / 64 out
Dante Patch from ConsoleYes
Recording
USB Memory RecordingYes
DVS RecordingYes (DVS and Nuendo Live bundled)
Broadcast Functions
5.1 Surround PanningYes (CL V3.0 or later)
Surround MonitorYes (CL V3.0 or later)
Mix MinusYes (CL V2.0 or later)
L-Mono / R-Mono / LR-MonoYes (CL V3.0 or later)
Monitor
Solo ModeYes (CL V4.0 or later)
Second Cue Bus (allows the MATRIX 7/8 to be used as a CUE B bus)Yes (CL V4.0 or later)
OscillatorSine Wave 1ch / Sine Wave 2ch (CL V3.0 or later) / Pink Noise / Burst Noise
Other Functions
RTAYes (CL V3.0 or later)
Output Port DelayYes (0ms ~ 1000ms, frame delay support in CL V3.0)
CascadeYes (via MY slots)
User LevelYes
Help FileYes (CL V1.51 or later)
Channel LinkYes (Output Channel Link support in CL V3.0 or later)
Channel Copy/MoveYes
Control & Monitoring for Digital Wireless ReceiversShure ULXD4D/ULXD4Q (CL V4.0 or later)
User Interface
Display10 inch Touch Panel
Centralogic SectionYes
Faders16 + 8 + 8 + 2
Selected Channel EncodersGain, HPF, PEQ (controls for 4 bands), Dynamics 1/2(Threshold only), Pan, Mix/Matrix Sends
Channel EncoderYes (for Gain, Send Level, or an assigned parameter)
Channel Name / Color DisplayYes
Custom Fader BanksYes (customized for each fader section)
User Defined Keys16 (x 4 banks in CL V3.0 or later)
User Defined Knobs4
Touch and Turn KnobYes (using a User Defined Knob)
Monitor Level KnobYes
Wooden Arm RestYes
iPad StayYes
Software
EditorCL Editor (Win/Mac, CSV files import/export in CL Editor V4.0.0 or later)
StageMixCL StageMix (iPad app)
MonitorMixYes (CL V4.00 or later)
Console File ConverterYes (Win/Mac)
General specifications
Sampling frequency rate Internal44.1kHz / 48kHz
Sampling frequency rate External44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm)
Signal delayLess than 2.5ms, OMNI IN to OMNI OUT, Fs=48kHz
Total harmonic distortionLess than 0.05% 20Hz-20kHz@+4dBu into 600Ω, OMNI IN to OMNI OUT, Input Gain = Min.
Frequency response+0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, OMNI IN to OMNI OUT
Dynamic range112dB typ.: DA Converter / 108dB typ.: OMNI IN to OMNI OUT, Input Gain = Min.
Hum & noise level Equivalent input noise-128dBu typ., Equivalent Input Noise, Input Gain=Max.
Hum & noise level Residual output noise-88dBu, Residual output noise, ST master off
Crosstalk-100dB*1, adjacent OMNI IN/OMNI OUT channels, Input Gain = Min.
Power requirements110-240V 50/60Hz
Power consumption170W: Internal Power Supply / 200W: Simultaneous use of Internal PSU and External PW800W
DimensionsWidth 1053mm (41 1/2in) x Height 299mm (11 3/4in) x Depth 667mm (26 1/4in)
Net Weight36kg (79.4lb)
OtherTemperature Range: Operating temperature range: 0 – 40℃, Storage temperature range: -20 – 60℃
Audio Visual Events®